What to Expect from Brunello 2019

After a super-hot 2017 and wet/challenging 2018 harvest, the folks who grow and make Brunello di Montalcino had a simple description of 2019: “It was easy.” And after the heat and drought of 2020, 2021 and 2022 and massive disease issues of 2023, the sunny, not too dry, not too hot 2019 season looked easier still!

Comparing 2019 to other great Brunello harvests is a little tricky. Like 2013, the wines smell, taste and feel “classic” – meaning big fruit is balanced by cellar- and food-friendly acidity and tannins are fine and firm. But there’s more fruit intensity than in 2013 or even 2016, if not quite the super darkness of fruit of 2015. James Suckling compares the wines to 2004 and 1997, but I think they have better purity and vibrancy than that. Vinous takes a stab at it like this:

“Vintage comparisons often get thrown around regarding 2019, with most producers relating it to a perfect combination of either 2015 and 2016 or 2010 and 2015. For me, the similarities to 2016 are clear as day, but what 2019 adds to the dark fruit and radiance of 2016 is energy and that crunchiness to the tannins mentioned above. I believe the magic is in their acidity because even as the wines firm up through the finish, they leave a freshness and mouth-watering quality that adds a crunchy sensation to the tannins.”

Pretty much everyone who has tried the wines agrees with Wine Advocate’s characterization of the vintage style:

“The generic 2019 flavor profile sees lots of dark fruit without excessive ripeness. There is good balance between acidity, concentration and tannins, which feel elegantly fine-grained and sometimes chalky.”

And that 2019 matches other great years like 2010 and 2016 on one of the most important metrics of all: quality across the zone and from great value “village” bottlings to special selections and single vineyard wines. As Vinous sums up:

This is a year where the entire region excelled, from southwest to east and northeast to west. Frankly stated, finding a 2019 that doesn’t show remarkable balance, vivid fruit and freshness is a difficult task. In my opinion, this is always a mark of a great year. The highs are exceptionally high, and the lows are few and far between…2019 provides a blending of power and elegance in a way seldom seen while maintaining a lovely balance of acidity and structure.”

Of course, you never drink a vintage – you drink specific bottles of wine! So our pre-arrival program sorts through 2019 Brunello to bring you the wines we know, year-after-year, are loaded with quality, are fun to taste young, develop consistently in cellar. And, importantly, represent the best price/quality values we can find.

How the Brunello 2019 Pre-Arrival Program Works

We’re hoping to do six to eight 2019 Brunello di Montalcino pre-arrival offers over the next few weeks with most going only to customers on the 2019 Brunello Pre-Arrival list. We’ll accept orders as each offer goes out and require that we have payment information on file in the shop before your order is confirmed. But you do not pay for any of the wines until they have arrived (mostly in March and April) and are ready to pick-up and take home.

Reserving your 2019 Brunello on pre-sale ensures that you’ll get the wines you want at the very best prices we can offer. We receive better pricing when we purchase on pre-sale and we pass those savings along to you along with lower mark-ups based on our reduced inventory risk.

Will these be the very lowest prices you’ll see in the USA? Sometimes, and they’ll always be competitive with the best prices we can find at the time we make the offer. But lower offers could emerge. There are retailers in the national market that are comfortable buying wines from brokers and other third-parties in Europe and then importing the wines directly. These “Gray Market” wines avoid the mark-ups charged by US-based importers. But they also avoid the assurance that the wines are what the label says they are and that they were kept in perfect condition from winery to distributor to us and to you.

We’re taking an approach that makes sense to us and, we think, to you. We’ll invite you to reserve your favorite 2019 Brunello knowing that we’re sourcing them from quality importers/distributors and that the wines will arrive in impeccable condition. We’ll confirm your order within a week or two of receiving your request and make sure we have accurate payment info on file. And, again, you won’t pay for the wines until they are here and ready for pick-up – a big departure from the normal “futures” approach you’ll find most other places.

And, we’ll only offer you wines we’re certain you’ll love. We hope you think that’s a pretty good deal all the way around!

Some Delicious CdP Wine History

To understand how remarkable the Beaucastel and Champauvins wine deals we are offering this Thursday really are, we’re going to have to do a little wine history. Don’t worry – there’s no test! But it is deliciously interesting.

It Begins with the Popes
While vineyards have dotted the southern Rhone Valley for centuries, plantings in what we now know as Chateauneuf du Pape really got going in the early 1300s when the French popes arrived in Avignon. With surge in population of priests, bishops, cardinals and more, wine demand spiked. Soon new plantings spread everywhere, including across the hot, dry, plains and plateaus to the north of Avignon. When the second Avignon pope, John XXII, built a summer castle on a hill amid the vines, it was christened “Chateauneuf du Pape” – the Pope’s new castle.

The popes went back to Rome in 1378 and with them went much of the region’s demand. Over the centuries to come, wines from the broader Southern Rhone came to be known as Vin d’Avignon and gradually began finding markets in Paris to the north. The wines of Lirac on the west bank of the Rhone were most highly valued, so much so that the growers near the pope’s new castle began trying to pass off their wines as Lirac. To stop the fraud, in 1737 the king ordered that casks of Lirac wine shipped from the nearby river port of Roquemaure had the exclusive right to stamp their casks with a new logo: Cotes du Rhone.

Saving Chateauneuf du Pape
Without a brand of their own, the growers near the pope’s new castle languished, especially after phylloxera cut plantings down by 70-80%. The region’s principal market: Burgundy, where their wine was used to add color and body to thin Pinot Noir.

The transformation from Vin d’Avignon to Chateauneuf du Pape begins in 1919 when Baron Pierre le Roy returns home from WWI and marries the daughter of the owners of Ch Fortia. Le Roy was determined to see the fame (and price) of his wine increase, and he organized other quality-oriented vine owners into the Syndicat de Chateauneuf and promulgated rules for types of vines permitted, yields, minimum alcohol levels and more in 1923. He then founded Institut National des Appellations d’Origine (INAO) in 1935 and, after years of lobbying and legal action, made the Syndicat’s proposed rules legally binding in 1936.

From then forward, a wine could only be called Chateauneuf du Pape if it met all the rules and was grown within the legal bounds of the region.

Drawing the Boundaries
But, where did those bounds come from? From the beginning, Le Roy believed that great Southern Rhone wine needed to come from poor, infertile soil (so vines would focus on ripening fruit instead of growing canopy). His initial rule was simple: Chateauneuf du Pape vineyards could only be on land where both thyme and lavender grew wild. Needless to say, he realized that he’d need to be more precise eventually.

So, in 1919, he drew what would become the official map of Chateauneuf du Pape.

To the south and west of the town of Chateauneuf, setting boundaries was easy. As the land sloped down towards the Rhone River, it became too wet to support vineyards.

Slicing Up Beaucastel
The eastern side was also easy, if not really based on vineyard character. The drafters simply followed the main road running from Avignon to Orange (now the A7 Autoroute) from the village of le Coulaire in the south and up to the end of the vineyards belonging to Chateau Beaucastel in the north.

This sliced one of Beaucastel’s vineyards – called Coudoulet – in two, leaving half of the vineyard in and half out of Chateauneuf. The owners of Beaucastel don’t appear to have protested at the time, probably not seeing the why it mattered.

Leaving Out Champauvins
What happened next is a bit of a mystery. The Jaume family farmed a collection of vineyards pretty much due west of Beaucastel and just under the Orange road. The vineyards have the same sub-soils and top-soils as Beaucastel, were covered by the rounded “galet” stones that are Chateauneuf’s hallmarks, and were planted to the same grapes. The logical thing to do would have been to simply continue to follow the road as it curved around to the west a little further and then allow the line to curve back down to the south to the river as the soils changed from red, iron rich gravel to more sand and limestone after the Jaume’s vineyards ended.

Instead, the drafters elected to abandon the Orange road just above Beaucastel and draw the boundary line down a narrow gravel path that ran right through the middle of the Jaume vineyards. The very fine vineyards planted in 1905 and still used for Grand Veneur Chateauneuf du Pape Les Origines plus another medium-sized vineyard became Chateauneuf. The 35 hectare Champauvins vineyard, identical in every way to the vineyards across the 10 foot wide path would be Cotes du Rhone.

Visit either Ch Beaucastel or Domaine Grand Veneur today, and their owners will fluently and passionately explain that there is simply no difference between their vines just inside Chateauneuf and those just beyond the region’s official borders. And, in the middle 20th Century, both estates lobbied to have the lines re-drawn to no avail.

So both have pursued the very best kind of revenge: making terrific wines that frequently rival, and sometimes exceed, the quality of most “real” Chateauneuf du Pape.

North From Napa: Washington Riveting Reds Six-Pack

Previous Posts
Why Washington State Reds?
Washington: A Little Geography, Geology, and Wine History
Washington Riveting Reds Six-Pack

Kiona Lemberger Estate Grown Red Mountain 2021

Background

An awful lot of Washington state wine history is about farmers. John Williams was an alfalfa farmer in the Columbia Valley as a side gig from his day job as a materials scientist. Looking for a new challenge, around 1970 he read a study by the Washington State University’s Horticultural Extension Program that argued Red Mountain—at the time covered in sagebrush and scrub—should be a pretty good place to plant wine grapes. So he bought a chunk of the mountain in 1972 and with his school age kids began clearing land. John’s son Scott Williams recalls coming home from school to pull the sagebrush out, one by one, using a chain and tractor.

In 1975 they planted Chardonnay, Riesling and Cabernet on the four hectares they’d managed to clear so far. The next year they added Chenin Blanc, Merlot and Lemberger. In 1978 they made their first sale to a winery, to Rob Griffin, then winemaker at Preston. As Griffin has said, before that purchase, the general assumption was that Washington’s future was in white wine. Griffin called the color and richness of Red Mountain red wine “a revelation.”

By 1980, Williams was ready to try winemaking on his own. He called his new winery Kiona. And with his pick of increasingly in-demand Red Mountain fruit, he chose to make…Lemberger.

Lemberger was brought to Washington by the legendary horticulturist Dr. Walter Clore (one of several “fathers” of the Washington wine industry) when he was creating the state’s first experimental wine grape nursery in the 1940s. Clore appreciated Lemberger’s ability to withstand Washington’s bitter cold winters, its reliably high yields, and the soft, fruity/spicy wine it made. If he’d chosen to call it by its Austrian name—Blaufränkisch—instead of Germany’s preferred name, Lemberger (which sounds a lot like a stinky cheese!), who knows how popular it could have become?

Lemberger plantings grew across Washington in the 1970s, gaining favor for their ability to add softness and fruit to more structured Cabernet Sauvignon. But it wasn’t until Williams bottled Kiona Lemberger in 1980 that it was sold as a mono-varietal wine. Thurston Wolfe and a few other pioneers followed in the 1980s and early 1990s. Commercial success for the wine with the stinky-cheese-sounding name? Not so much.

In the 1990s Washington’s Cabernet Sauvignon boom got under way, and growers learned that Syrah had much more commercial promise than Lemberger, both as a varietal wine and as a blending partner for Cabernet. From about 25% of Washington’s plantings in the 1980s, Lemberger fell back to just a few scattered plantings.

The Wine

But the Williams family at Kiona still grows and makes Red Mountain Lemberger and it’s really, really good! It’s full of ripe black fruit with accents of earth, licorice and spice that turns savory on the soft, supple finish. Think “exotic Beaujolais” and you’ll be on the right track.

“Mulberries, blueberries, violets, cinnamon and vanilla on the nose, with some olive undertones. Fruity and spicy with medium to full body, soft tannins and a creamy finish.” James Suckling 91 points


Barnard Griffin – Syrah Columbia Valley 2020

Background

Syrah came to Washington more or less on a lark. In 1983, Mike Sauer, the owner of Red Willow Vyd in Yakima, agreed to plant some Nebbiolo for Cavatappi Winery. When David Lake of Columbia Winery heard about it, he asked Sauer if he’d try some Syrah, too. No one was certain Syrah could survive the cold Columbia Valley winters, but Sauer agreed to give it a try. He found some California Syrah cuttings, gave them a year in a nursery and then planted them in 1986. Two years later, the first harvest went to Columbia Winery, which then bottled the state’s first-ever Syrah red. And, in 2001, Sauer started offering cuttings to other growers, setting off a boom in plantings across the state.

Almost 10 years before Sauer planted his first Syrah, Rob Griffin arrived in the Columbia Valley and began making wine. In 1997, he was a few years out of UC Davis and working as assistant winemaker at Buena Vista, moving right along towards his dream of becoming a Napa winemaker. Bill Preston showed up across the street one day to try to recruit Steve MacRostie to come up and take the winemaking job at Preston Wine Cellars in Washington. Steve passed, but suggested Bill talk to Rob. Despite his UC Davis professors telling him Washington could never be a fine wine region (too many killing winter freezes, they thought), Rob went ahead and gave it a try. After running Preston and then Houge for a few years, in 1983 he and his wife purchased a pick-up truck load of Merlot grapes, made 300 cases of wine, and launched Barnard Griffin winery.

With 45 Washington harvests under his belt, Griffin is Washington’s most experienced, long-tenured winemaker, working from shortly after Ch Ste Michele was reborn in 1974 through the explosion of mass market demand and now the increased push for small-lot quality across the Columbia Valley. Throughout, Rob (and now his daughter Megan) have been much more interested in making wine than selling it. So they’ve adopted a simple strategy: Make wine of a quality one or two price points above what they plan to sell it for. Like here.

The Wine

This is terrific Washington Syrah that achieves outstanding ripeness and plushness and delivers plenty of savory Syrah varietal character. Big aromas and flavors of black fruits, baking spice, roasted beef and a touch of “bacon fat” arrive with a bang in a wine that feels fleshy, round and rich on the palate.

Firm, grainy tannins bring balance and the 18 months in wood shape the wine nicely without any overt oaky flavors. A winner.


Beckstone Cabernet Sauvignon Horse Heaven Hills 2020

Background

Three names are tightly connected in Washington state wine history:

  • Chateau Ste. Michelle – the winery that made Washington wine available everywhere
  • Cabernet Sauvignon – the flagship wine of the state today (replacing Riesling’s early leadership)
  • Horse Heaven Hills – the growing region where Ch Ste. Michelle got all that Cabernet from!

One of Ch Ste. Michelle’s predecessors (National Wine Company or NAWICO) was founded in 1934 and was the first to plant vinifera in the Columbia Valley in 1951 (it was Grenache). They launched the Ch Ste. Michelle label in 1967 with several varietals from eastern Washington, including Cabernet Sauvignon. With the Columbia Crest label/winery introduced in 1983, the results were pretty stunning. By 2020, the company accounted for around 60% of all Washington wine made and sold.

To make all that wine, Ch Ste. Michelle needed lots of grapes. When they started looking for a major expansion to focus on Cabernet Sauvignon, they noticed Don Mercer’s then still modest plantings from 1972 along the Columbia River, due south of Yakima in the region known as Horse Heaven Hills. So in 1979, they retained Paul Champoux to begin planting grapes. Today with more than 6,000 acres planted, fully one-quarter of Washington’s vines are in Horse Heaven Hills. And (until this year), Ste. Michelle either owned or purchased 60% of the AVA’s harvest.

Horse Heaven Hills got its name from its gentle slopes and wide, open grasslands that were “heaven” for wild horses in the 19th century. It’s pretty heavenly for grapes, too, especially Cabernet Sauvignon. The broad, south-facing, gentle hills soak up lots of sunshine and heat, but constant winds moderate winter and summer extreme temperatures and drive thickened grape skins—great for getting structure at high yields. Soils are consistently loose and well-drained, making the region well suited for irrigation. And the nearby Columbia River provides irrigation water by the bucketful.

Consistent temperatures, exposures, and soils make for easy farming and a fairly consistent style of Cabernet Sauvignon. There’s plenty of ripeness and richness with blue/black fruit and a signature mouthfeel from super-ripe tannins. The palate feels lush, almost fluffy, and the tannins are soft but satisfyingly dusty.

Like Ch Ste. Michelle, Pacific Rim Winemakers (the company that makes this wine) also takes advantage of buying fruit from high-quality/high-value locations like the Wahluke Slope and Horse Heaven Hills.

The Wine

Here, under their Beckstone label, they’ve turned out a great example of Horse Heaven Hills character and what is clearly one of the best value Cabernets in the shop. It’s around 70% Cab plus dollops of Malbec and Merlot and a few drops of Muscat Canelli and Riesling, and seriously over-delivers for the price. Dark chocolate, black fruit, and sweet spice flavors flow through a satisfyingly grainy finish. Good stuff and just 13.7% alcohol.

“Aromas of ripe blackberries and blueberries with cloves, vanilla, hazelnuts and moist earth. Medium- to full-bodied, wide and refined with polished tannins and juicy, mellow character. Lightly chewy at the end.” James Suckling 92 points


Sleight of Hand Cellars Red Blend Columbia Valley The Conjurer 2019

Background

There are plenty of serious wine and winemakers in Washington. And also some dedicated to serious fun—like Trey Bush and his partners at Sleight of Hand Cellars. Trey grew up passionate for music, and it was his love of Pearl Jam that brought him to Seattle in 1992 (and a job at Nordstrom that kept him in concert tickets). In September 2000, Eric Dunham invited Trey to come east to Walla Walla and work harvest at Dunham Cellars. The wine bug bit hard and Trey was hooked. By 2007 Trey and two partners had founded Sleight of Hand Cellars, the name capturing both their love of magic and Trey’s passion for Pearl Jam (it’s the name of his favorite Pearl Jam track). So the wine names and labels display a vintage magic show poster style. And the tasting room is “jammed” with 3,000-plus rock & roll LPs (requests accepted when you visit!).

There a lot of rockin’ magic to the wines as well, especially the single-vineyard Syrahs that are always among the most highly-rated and sought-after in Washington. And this wine, their “entry level” Bordeaux blend, is always one of Washington’s finest values. And it’s a great introduction to how Washington state reds can deliver all the fruit of Napa wines to the south with a nice touch of Bordeaux from far, far, to the east.

The Wine

The Conjurer is a 2,000 case blend of 46% Cabernet Sauvignon, 42% Cabernet Franc and 12% Merlot from sites in Blue Mountain in Walla Walla, Red Mountain in Yakima and Phinney Hill Vineyard in Prosser. If you want, you can call it “natural wine”—the fruit is organically farmed, picked by hand, fermented with native yeasts and no additions other than a touch of sulfur for stability. You’ll definitely call it delicious with loads of sweet fruit, a touch of tobacco and very supple, friendly tannins that make it enjoyable now and able to improve for a few years as well.

And, if you’re wondering, yes, that does look like Neal Patrick Harris on the label, with his permission. “NPH” was a happy Sleight of Hand mailing list customer in the winery’s early days and this was one of his favorite wines. Trey thought it would be cool to replace the more or less stock image on the Conjuror label with Harris’s face. And NPH thought it would be cool to get free wine. Pure magic.

“The 2019 The Conjurer is based on 46% Cabernet Sauvignon, 42% Cabernet Franc, and 12% Merlot that was brought up all in French oak. It has a spicy, complex, Cabernet Franc-like nose of red and black fruits, spring flowers, tobacco, and cedar. This carries to a medium to full-bodied, lively, beautifully balanced, elegant red that brings solid intensity while staying light and elegant, with a great finish.” Jeb Dunnuck 91 points

“Really good even in its youth, the Cabernet Sauvignon and Cabernet Franc dominant 2019 The Conjurer spent 11 months in 25% new French oak prior to bottling. Toasty oak wraps around a beautiful core of blackberry, huckleberry and black tea flavors. The great veil of tension and soft texture add to the enjoyment. Best savored over the next five-plus years.” Vinous 91 points


Owen Roe Sinister Hand Red 2019

Background

While Cabernet Sauvignon and Syrah capture most of Washington State’s red wine glory (now that Merlot is/remains unfashionable), it’s useful to remember that the very first vitis vinifera planted in the Columbia Valley was Grenache. Sure, Ch Ste. Michelle used its first Grenache plantings (1967) to make rosé, and it was often lauded as the best pink wine in all of the USA back then. (Admittedly versus not very stiff competition.) But the White Zinfandel explosion of the 1980s seriously dimmed Grenache’s attractiveness to Washington growers.

Then, as Syrah took off in the state, winemakers began thinking about Grenache again. Because while Syrah’s homeland is in the Northern Rhone, its main French plantings are in the warmer Southern Rhone where it’s most often blended with Grenache and other sun-loving grapes like Mourvèdre. The blend of the three—referred to in shorthand as “GSM”—is the backbone of Chateauneuf du Pape and Côtes du Rhone. Which leads to this wine.

Jerry Owen (vineyards) and Irish-born David O’Reilly (winemaking) really like valleys. Or so one might conclude from the fact that they founded their Owen Roe winery to make wine from top-quality sites in Oregon’s Willamette Valley and Washington’s Yakima Valley. The winery name is from Owen Roe O’Neill, a seventeenth century Irish Patriot who, the winery says, “dedicated his life to upholding the highest principles of political equality and freedom.” Owen Roe tries to follow that path with their wines.

The Wine

The Sinister Hand red blend showcases both the quality of Yakima’s Rhone grapes and O’Reilly’s fondness for Irish heritage. The wine is intended to be (and actually is!) a Washington take on Côtes du Rhone. Like many of the best wines of the southern Rhone these days, it’s led by Syrah (64%) with 18% each Grenache and Mourvèdre—the classic GSM blend (technically, SGM here!). Juicy, ripe, fleshy, supple, it’s a terrific all-purpose and cookout red.

As for the wine name, from the winery: “Long ago, pre-dating the 11th century, the families that became modern day O’Neills and O’Reillys were feuding over the land that became their ancestral home. To settle the dispute, a competition was organized and several rowing teams agreed that the first to touch the land, after rowing across the lake, would become ruler of the land. O’Neill’s boat was falling behind so a member of the crew grabbed his own sword, cut off his hand and threw it ashore, and touching first, winning the title to rule the land.” Not sure what that has to do with the wine, but it makes for a distinctive label!

“Lots of juicy berry fruits, briary herbs, pepper, and violet notes emerge from the 2019 Sinister Hand, Washington State’s take on a terrific Côtes du Rhône. Medium-bodied, balanced, and just straight- up delicious, drink this charming, balanced Syrah blend (there’s 18% each of Grenache and Mourvèdre with smaller amounts other varieties) over the coming 4-6 years.” Jeb Dunnuck 92 points


Tamarack Cellars Columbia Valley Firehouse Red 2017

Background

One of the joys of a young wine region is the freedom to experiment, especially when a region has planted lots of different grapes as it tries to figure out what will work best. Grape vines, once planted, are productive for 20-50 years, which is how the folks at Tamarack Cellars stumbled into what has become their flagship red.

Ron Coleman was looking for a place to start his winery in 1998. On a WWII-era abandoned Army Air base just outside Walla Walla, he found an abandoned firehouse. After a little renovation work, he purchased some grapes and made his first vintage, 300 cases of Merlot. In 1999 Danny Gordon arrived with a freshly minted degree in agriculture from Oregon State and a strong desire to find work someplace less rainy. He’s been Tamarack’s winemaker for the past 20 years or so now.

Tamarack makes a very, very, broad range of wines from Columbia Valley classics like Cabernet Sauvignon and Merlot to more off the beaten track bottlings of Nebbiolo, Sangiovese and varietal Petit Verdot. But this cuvee—named for the firehouse where the original winery was located—remains their most successful (including two placements on the Wine Spectator Top 100 list).

The Wine

A blend of nine different grapes with a year in mostly neutral oak, it’s a juicy, lightly smoky wine with fire-engine-red fruit and a nice touch of chocolate and spice. A crowd-pleasing cookout or party red at a very nice price and just 13.8% alcohol.

“The 2017 Firehouse Red is a crazy blend of 33% Syrah, 27% Cabernet Sauvignon, 18% Merlot, 11% Cabernet Franc, and the rest Mourvèdre, Grenache, Counoise, Sangiovese, and Petit Verdot. As always, it’s a great value and has loads of ripe red and black fruits, spice, and dried flower aromas as well as a kiss of classy oak, medium body, ripe tannins, and a great finish. It’s a year-in, year-out no brainer.” Jeb Dunnuck 90 points

Why Washington State Reds?

We’re starting a new special focus this week: North from Napa: Washington’s Riveting Reds. Why? So many reasons! Starting with three Vs:

Varietals – Plenty of grapes in Washington, from USA standards like Cabernet Sauvignon, Merlot and Syrah to many not as common here like Grenache, Sangiovese and even Lemberger (Austria’s Blaufränkisch). The only major grape you won’t find much of is Pinot Noir because most of Washington’s growing area is too warm for fine Pinot (and Oregon’s Willamette Valley is just a few hours south).

Variety – Washington’s reds come in a wide range of styles, reflecting the diversity of grapes, distinct growing regions, and winegrowers’ intent. Horse Heaven Hills and the Wahluke Slope give wines of consistent richness and flesh. Red Mountain adds intensity of tiny grapes and higher acids. Walla Walla gives Cabernet of outstanding structure and some of the state’s most savory, meaty Syrahs. And throughout every region you’ll find winegrowers aiming for wines of immediate delight, and others crafting cuvees built for serious appreciation and cellaring.

Value – Nowhere in the USA can you get more wine bang for your buck than out of Washington. In part that’s because the industry was really kicked off by wineries aiming for the “value” segment—think Chateau Ste. Michelle, Columbia Crest, Houge and others. And having plenty of plantable land located far away from urban centers (avoiding competition with housing and resort developers) certainly helps keep costs down.

But mainly it’s because Washington’s range of varietals and styles gets in the way of turning a great wine grape growing area into a brand like “Napa” or “Willamette Valley” or even “Paso Robles.” Wines from better known and branded regions pick up a little (or a big!) price premium to go on top of what went into the wine. In Washington each wine stands on its own. So, more often than not, you get as much or even more than you pay for in Washington reds.

Read on: A Little Geography, Geology, and Wine History

Washington Riveting Reds Six-Pack

Washington: A Little Geography, Geology, and Wine History

Washington wine starts with volcanos. Millions of years ago what is now eastern Washington (along with much of Oregon and Idaho) was covered in volcanic basalt. The basalt can be thousands of feet thick and weighs so much that portions of eastern Washington have actually sunk below sea level. Around 15,000 years ago, an ice dam in Montana holding back millions of gallons of melted glacier water burst, covering Washington first in hundreds of feet of water and then with layers of rich, deep soil. Later, winds blew in sand and silt from further east, adding still more complexity to the soils.

Those complex soils enjoy a significantly less complex climate. With the Cascade Mountains blocking access to the Pacific Ocean’s cool, moist air, most of eastern Washington is at least desert-like. Temperatures can soar during summer days and then plummet into chilly, crisp nights. Mostly it’s perfect for high-quality wine—except in years where late season heat waves threaten to cook grapes on the vines or bitter cold winters that can actually kill grape vines. As is true everywhere, grape farming is a hard and risky business!

Rainfall is scarce, but rivers are many. So irrigation, first introduced to support grain, vegetables and apples, is widely available at levels needed to grow happy grapes.

This great place for wine grapes was largely overlooked as the US wine industry developed. Unlike California, where mid-19th century populations surges related to gold rushes and economic booms stimulated wine production, there were only a few hundred acres of grapes in the state when it rushed to adopt Prohibition in 1917.

In the 1950s, Dr. Walter Clore and his colleagues at Washington State University began trials exploring the potential of wine grapes in the state. Ch Ste. Michelle was founded in 1954 and in 1957 hired André Tchelistcheff, recently retired from Napa’s Beaulieu Vineyards, to consult. By the 1970s, Ch Ste. Michelle was in growth mode and the modern Washington wine industry was under way.

An Industry in Flux
For the first few decades, it was a bifurcated industry. The wineries tended to be on the west side of the Cascade Mountains, close to a local customer base and transportation facilities for reaching markets across the country. The grapes—at least virtually all the red grapes—were on the warmer, drier, eastern side of the mountains. There, enterprising farmers were accustomed to making calculated decisions on what to plant—grain, apples, and now wine grapes.

Over time Ch Ste. Michelle and other large wineries began doing serious planting of their own; growers began making their own wine; and newcomers arrived to plant fruit and make wine in the “estate” model. But the big guys are so big and the cost of developing/running vineyards so high that most Washington wine continues to be made by wineries purchasing grapes from farmers.

But this may be about to change, mainly because the winery that created the Washington wine industry is now in trouble. Through acquisition and a strong focus on the $10-and-under retail category, Ch Ste. Michelle became one of the USA’s very top wineries in volume and accounted for fully 65% of all Washington grapes turned into wine each year. But the $10-and-under wine category has been in decline for years now. And even as Ch Ste. Michelle’s grape buying has declined (down 10% in 2000), new plantings continue to come online. Today Washington grows more wine grapes than it can sell.

A new inflection point has arrived. Ch Ste. Michelle’s new owners (a private equity group) had already announced the closure of its historic winery and visitor center outside Seattle to consolidate winery operations east of the Cascades.

And, just a few weeks ago, the winery told growers it will be de-emphasizing the $10-and-under segment and would buy 40% fewer grapes in 2023 than in 2022. In 2022, Ch Ste. Michelle purchased grapes from around 28,000 of the state’s 65,000 acres of vines. Now 11,000 acres of production will need to find new buyers or simply be left to rot on the vine. Estimates are that around 10,000 acres of vines need to go out of production for supply and demand to come back into balance.

A disaster for grape farmers for sure. But probably not so much for wine lovers! The best of the fruit no longer destined for Ch Ste. Michelle will likely end up in new wines from talented winemakers at bargain prices. And even once supply/demand are back in balance, the amount of plantable land and relatively low cost of farming in Washington should prevent the Napa-like price explosions seen in California and Oregon under control.

In short, right now is a great time to get to know Washington’s Reds. The wines are great and keep getting better. The range of varietals and styles can’t be beat. And the value remains outstanding.

Our Washington Riveting Reds Six-Pack is a great way to get to know the bold reds Washington keeps on delivering. Give it a try!

Why Washington State Reds?

Washington Riveting Reds Six-Pack

The New Wave Flows Through Spain

Previous: The New Wave Gathers Around the World

All change is easier, of course, when there’s financial pressure to change. Australia’s “New Wave” was certainly sparked by the collapse of exports after the 2007 financial crisis. And similar slumps in demand for wines of adequate quality, international style, and low prices are shaping trends in Chile and Argentina, too.

In Spain, those issues are in play. But the bigger challenge is the continuing collapse of domestic wine consumption. As recently as the mid-1970s, the Spanish drank an average of 70 liters of wine per person per year. Since 2008, per capita consumption has been under 20 liters of wine per year (following similar trends in France and Italy, reflecting both general cultural changes and government campaigns against overconsumption and drunk driving). So the door has been opened to do something new.

As far as I know, there was no gathering of Spanish winemakers to proclaim a new wave of Spanish wine, and there’s really no single point in time when we can say the wave began. There’s no question, though, that two Spaniards have been particularly influential in the trend.

First, Raul Perez. Born in Bierzo in 1972, Perez wanted to be a doctor, but his family’s winery was failing and he was needed to pitch in to keep it afloat. He first cleaned up the winery and the farming of his family’s old vine Mencia grapes, taking the wine a solid step above the bulk wine status of almost all Bierzo of the time. Then, in 2003, he struck out on his own.

Today Perez is easily the most influential winemaker in Spain and one of the most influential in the world (a Decanter magazine article on Perez a few years ago showed his picture with the caption, “Is this the best winemaker in the world?”). His energy is legendary and he seems to be everywhere, consulting on new winery construction, advising on planting new and revitalizing old vines, and giving formal and informal advice on winemaking.

And whether by direct inspiration or parallel insight, his basic approach to Spanish wine has been adopted by dozens of ambitious young (and not so young) winemakers across Spain. The approach:

  • Seek out old places and old vines for their ability to speak distinctively
  • Focus on traditional grapes of your place – while recognizing that “tradition” could reach back a thousand years or only 100 or so
  • Farm for ripeness plus freshness, getting physiological ripeness without overripe flavors that blur what’s distinctive about the grapes
  • Limit intervention in the vineyard (in terms of sprays, cultivation) and in the winery (do not add enzymes or yeast and limit the use of sulfur to the bare minimum necessary for stable wine)
  • Use oak casks to shape the wine and allow it to express itself versus flavoring it with high toast levels and new wood
  • Experiment, including playing with very long macerations and very old techniques (like clay amphora instead of wood barrels for fermentation and/or aging)

The other singular contributor to this growing new wave of Spanish wine isn’t a winemaker at all: It’s wine writer and critic Luis Gutiérrez. While working in corporate IT, Gutiérrez helped launch elmundovino.com, Spain’s leading online wine resource. He’s written multiple books on Spanish wine, has been a regular contributor to JancisRobinson.com, and has won multiple awards from international and Spanish wine organizations for his writing and reporting. And, since 2013, he has been the lead writer on Spanish wines for Robert Parker’s The Wine Advocate.

I certainly don’t agree with everything Gutiérrez writes (his fondness for oxidized wines mystifies me). But his knowledge of Spanish wine history and regions is immense and his curiosity and enthusiasm infectious. More than any other writer I know of, Gutiérrez has explored and thought about the changing Spanish wine scene and helped those of us far away discover new and exciting regions and producers. And, in at least some cases, he’s helped those producers find the markets they need to continue their work and thrive.

In this six-pack, you’ll find a half-dozen wines that we believe represent how New Wave Spain is playing out in the bottle to varying degrees. And on the New Wave Spain rack in the store you’ll discover even more, including wines from Raul Perez and other leading lights in the movement like Envinate, Daniel Landi, Pedro “Guimaro” Rodriguez and more.

In some cases, the wines align with these tenants almost completely. In others, winegrowers are moving in this direction. In all they are distinctively delicious expressions of Spain – and well worth your attention.

Surf the New Wave of Spanish wine with us. It’ll be a blast.

The New Wave Gathers Around the World

Previous: The Old Wave in Spain

As we explore New Wave Spain, I’m going to posit a pattern that applies to virtually all wine regions of the world. It emerges at different times and unfolds at different speeds and with very different particulars. But the broad pattern is, or will be, repeated virtually everywhere in the world of wine. It’s playing out in Spain today.

Phase I: Acceptability

The first part of the pattern applies to the vast majority of the history of every wine region: the pursuit of acceptability. During this phase of a wine region’s history, the driving goal of the overwhelming majority of wine growers and makers is simple: produce an alcoholic beverage drinkers will not reject. Initially the quest is merely to produce wine that can be drunk, i.e., that isn’t revolting. As more and more people begin making wine, some are more appealing than others. And as drinkers experience those more appealing wines, the floor of what they consider “not revolting” rises. Quality increases.

Phase II: Durability

The next phase of the pattern emphasizes durability, the ability of acceptable wine to remain acceptable over time and, crucially, during travel. This phase gains steam as winemakers attempt to sell their wine outside of their home region, especially to places that cannot grow and make wine themselves.

Champagne is a great example. In the 1500s, Champagne’s red wines were too pale and tart to be acceptable outside the region and its white wines too fragile to survive travel. So producers developed the process of making white wine from red grapes to create a product sturdy enough to withstand travel by ox- and horse-drawn cart from Champagne to markets in the low countries.

The things winemakers do to make their wines durable sometimes reduces their acceptability at first. For Bordeaux to travel successfully from France to England, it needed more stuffing and, critically, more preserving tannin. When young, the tannins made the wines feel hard and drying, so once Bordeaux arrived in England, it needed time in castle and mansion and church cellar for the tannins to polymerize and feel softer. Over time the ability to age into drinkability morphed into to a desirable one. Wines that are better at age 10 or 20 were seen as higher in quality and more valuable.

Phase III: Differentiation

Once wine is regularly leaving its home region and traveling the world, it finds itself in a market crowded with competitors. How to stand out? One option is by developing a brand that wine drinkers believe denotes quality. What had been called “clairette” for its pale color becomes “claret,” the Bordeaux wines drunk by the rich and, so, desirable for all. Wines from Spain’s La Rioja and Navarre, and from the Basque province of Álava become “Rioja” and claimed the title of the finest wines of Spain.

The other option is to become cheap, at least for the quality. It’s hard for an entire region to both be cheap and claim even acceptable quality. But the 20th century practice of naming wines for their grapes helped a lot. We know high-quality Bordeaux is mainly Merlot and Cabernet Sauvignon. So with inexpensive wines from Chile, Australia and Spain looking for markets, wineries combine low prices with the quality claim of the grape varietal name.

Phase IV: Ripeness (The Parker Years)

In the 1980s a new phase emerged: the search for ripeness. One person is the face of, and arguably the most potent force for, this movement: a former lawyer for a Baltimore gas company and resident of tiny Monkton, Maryland, named Robert Parker. With his Wine Advocate publication, Parker is regularly cast as both a hero and villain in the story of wine’s past 50 years. Now retired, at the height of his influence (from the mid-1980s through early 2010s), he was undoubtedly the most influential (powerful?) critic of anything to ever put pen to paper. Love from Parker could make your career and set your family up financially for life. Rejection by Parker could lead to ruin.

Parker’s a complex guy, and it’s not easy to sum up what he considered “good” wine. I think it’s fair to say that Parker had an exceptionally high tolerance for substantial levels of alcohol, relatively low levels of acidity, the flavor of French oak, and, perhaps, the presence of residual sugar in wine. And he certainly had little respect for claims of quality in wine based on historical fame – his willingness to declare that the emperor had no clothes when tasting legendary wines was a huge factor in his rise to fame and fortune.

But if you look at the body of Parker’s work over time, you’ll soon realize that the thread that ties everything together is a deep, abiding dislike of the flavor of under-ripe grapes. Specifically, wines that showed the “green” aromas, flavors and tannin structures that are the hallmarks of skins still too thick and seeds and stems still too green.

So at the insistence of Parker, his fellow travelers, and his legion of consumer fans, wine grape growers around the world embarked on a pursuit of physiological ripeness. The simplest way to achieve that was lowering yields (so the vine had fewer grapes to ripen), pulling leaves (so more sun could hit the grapes), and, most of all, waiting to pick until seeds were brown. And, in doing this, we can say one thing for sure: The average quality of wine made and sold in the world got better.

Phase V: Differentiation Again

The final phase we can see in the world of wine today might be called “Pursuit of Differentiation, Part 2.” The problem with seeking physiological ripeness through lower yields, leaf pulling and later harvests is that it also leads grapes to develop more sugars (so higher alcohol), lowers acidity, and leads to development of super-ripe flavors that increasingly taste the same regardless of grape varietal or place. Add on a healthy dose of toasty French oak flavor and it becomes hard to tell Pinot Noir from Syrah or Bordeaux from Napa.

And when your “best” wine tastes pretty much like the “best” wines from everyplace else, it’s awfully hard for many winemakers to find their work fulfilling. Many, of course, are happy to do their work like an industrial engineer and find the successful work of process optimization that turns out consistently commercially successful wines (and a good paycheck) complete and satisfying. For others, not so much.

Which brings us to today and the phase of winemaking history we’re seeing in places as far separated as Chile, Argentina, Australia, California’s North Coast and Spain. In all those places, a growing number of winegrowers are seeking to make differentiated wines based on criteria other than pleasing the “Parker palate.” Make no mistake: There has been no abandonment of the pursuit of physiological ripeness! But innovative, often younger winemakers are increasingly seeking to get there in ways that maximize the unique flavors and characters of their wines.

What does that look like on the ground? In some places, it’s turning away from “international varietals” (think Cabernet, Syrah, Sauvignon Blanc and Chardonnay) to focus on older, less well-known grapes that grow in only a few places in the world. It’s reducing the use of new oak by using more transparent fermentation and aging vessels like larger old oak casks, raw concrete tanks, even very old-school clay amphorae. Most everywhere, it’s searching for ways to get skins and seeds fully ripe while preventing the development of anonymous overripe aromas and flavors. And, as a byproduct of that, making wines with lower alcohols and higher acidities – a combination often called “freshness.”

Many of us find “fresher” wines more drinkable and satisfying (others may find them tart, thin, and unsatisfying). But all can agree that picking ripe versus overripe, working with distinctive varietals, and not covering the wine in new oak maximizes the difference between wines. And, perhaps, offers the chance to differentiate by something no one else in the world can copy: your place.

Next: The New Wave Flows Through Spain

What’s the ‘Old Wave’ of Spanish Wine?

Previous: New Wave Spain Six-Pack

Before we talk about the “New Wave,” let’s think about the “Old Wave.” Here’s an old Spanish saying: “There are three wines in Spain: Rioja, Cava and whatever they make in your home town.”

That’s a pretty good description of both the domestic and international view of the Spanish wine market through the 1970s. Cava (called “Spanish Champagne” until after the Treaty of Versailles outlawed that label) was the world’s good value fizz. Rioja – especially old, heavily oak-influenced wines – was the one Spanish wine to have achieved prominence before the 20th century and still carried the nation’s flag in the wine market. And “the wine of your home town” is what Spanish citizens drank every day and no one outside of Spain ever saw
at all.

By the 1990s, though, Spanish wine was everywhere in the world of wine. At the low-end of the market, cheerful co-op Garnacha and Tempranillo and mass-produced, very inexpensive Cabernet, Merlot, Chardonnay and Sauvignon Blanc gushed out of Spain and into the value sections of global wine stores. At the high-end, attention from international critics like Robert Parker introduced the world to super-ripe, well-oaked reds from Ribera del Duero, Priorat, and even flashier examples of Rioja. And, here and there, the fresh and crisp whites of Rueda (Verdejo) and Rias Baixas (Albariño) began to get traction as well.

That’s a lot of diversity! But over the top of all that diversity was one overriding theme: In Spanish wine, “higher quality” usually meant “more wood and older wine.” It started in Rioja where producers ranked there wines at three levels: “Crianza” (younger, less oak); Reserva (longer aging, more oak) and Gran Reserva (many years aging, LOTS of oak). And the oak most often used was more overt and spicy American Oak versus more reserved, subtle, French oak. So in addition to ripeness and value, the number one association most wine lovers had with Spanish wine was oak.

Next up: The New Wave Gathers Around the World

New Wave Spain Six Pack

Previous: Ride the New Wave of Spanish Wine!

Our May 2023 New Wave Spain Six-Pack showcases some deliciously exciting trends in Spanish wine, introducing you to flavors, textures, and styles you might not expect from Spain. Here, we cover the wines in the six-pack: where each wine is from, what wines of that region are typically like, the people who made the wine, and a brief tasting note.

Next: What’s the Old Wave of Spanish Wine?

Wine #1

Mokoroa Getariako Txakolina 2022

The Region and Its Wine

Txakolina (or Txakoli – the terms are interchangeable) is the traditional white wine of the Basque people, and versions can be found all along the Spain/France border through the Pyrenees Mountains. The best sites for wine, though, are in the Basque Country, an autonomous region on Spain’s northern coast along the Bay of Biscay. Spain recognizes three official Txakolina wine regions here: Arabako, Bizkaiko and – best of all – the tiny Getariako Txakolina DO just 18 miles from the French border.

Getariako has a more moderate climate than the other Txakoli regions, with cool air from the sea moderating the hot summer sun. But it also has lots and lots of rain – typically 60-plus inches per year. To manage the humidity, rot and mildew, growers traditionally train their vines high up wood poles and stone posts. In the 20th century, wires between the poles/posts were added, letting the vines spread out over the rows in a kind of pergola effect, keeping air flowing to dry things out a bit.

Wine has always been important here, and in around 1900 there were at least 1,000 hectares of vines and hundreds of farmers and wineries making wine for consumption locally, in nearby San Sebastien, and for sailors to take with them to sea. But phylloxera hit the region hard in the early 1900s, as did industrialization (pulling residents away from the villages and fields) and Franco’s aggressive suppression of Basque culture. By the 1990s, there were only 60 hectares of vines remaining. Today that’s grown slightly to nearly 200 hectares of vines and 17 commercial wineries.

The climate here isn’t friendly to grapes that evolved for drier, more traditional vineyard conditions. So viticulture has always focused on true local grapes. The few red grapes cultivated are Hondarribi Beltza. Other than a few small plantings of Chardonnay and Sauvignon, the white grapes are almost entirely Hondarribi Zuri. No one really knows what that is, and it may be more than one grape. In Wine Grapes, Jancis Robinson says that grapes called Hondarribi Zuri can actually be Courbu Blanc, Crouchen or Noah – all pretty obscure.

In its traditional form, Txakoli was more of a farmer’s wine than a commercial proposition. Because the wet conditions created increasing risk of rot as the grapes ripened, fruit was usually picked as soon as it was fermentable – usually at a potential alcohol of 9 to 10%. Fermentation was done in large, old, oak casks rather than in open vats, which trapped some of the CO2 of fermentation in the wine. After fermentation was done, the wine stayed in the vat until it was drawn off into a pitcher for serving. Then it was poured into tumblers from 8 to 18 inches of height, blowing off some of the retained gas and leaving tiny, pin-prick bubbles behind. Then down the hatch it went with local dishes like salt cod fritters, anchovies cured in oil and salt, or any other savory nibble the Basque call pintxos (and the rest of Spain calls tapas).

Txakoli has had a bit of resurgence in recent years from San Sebastien’s growing prominence as a culinary destination (it has more Michelin stars per capita than any city in the world) and increased interest in low alcohol, high acid wines to enjoy with seafood in Madrid, New York and beyond. In the winery, Txakoli today is most often made in large stainless steel tanks. The more careful producers cap the tanks to retain some natural CO2. Mass-scale wineries just bubble some in before bottling.

The Producer

We don’t know a lot about Mokoroa because they don’t make much wine, have no trouble selling it all, and haven’t felt the need to draw much attention to themselves beyond that. It’s a young winery founded in 2008 by local Jose Antonio Mokoroa (then in his 20s) and today employing his entire family.

Farming is sustainable and harvest by hand. Mokoroa has chosen to include a little Chardonnay in his vineyards to increase the wine’s body a touch and make it easier to enjoy solo as well as with food. The grapes come into the winery cold after harvest early in the morning. After being crushed and pressed, the juice is chilled to around 35 degrees to settle and allowed to start fermentation gradually in capped stainless steel tanks (retaining natural CO2). Then a short rest on the lees before bottling while cold with just enough sulfur to keep the wine fresh and stable.

The Wine – Mokoroa Getariako Txakolina 2022

At a high (for Txakoli) 11% alcohol and with 15% Chardonnay blended with the traditional Hondarribi Zuri grapes, you’d think this might be a softer, more gentle style of Txakoli. Nope. This is INTENSE, delivering tart, assertive flavors of pithy orange, green stone fruit and slaty stone with a gripping, almost eyewatering acidity on the back. The orange/lime citrus finish is your reward for persevering and the whole experience is so almost-painfully enjoyable you’ll rush to do it again. Try this with fried and nicely salted shellfish, super-creamy cheeses or a bowl of potato chips, and you’ll struggle to stop sipping before the bottle is gone. Pouring from a foot or two in height into a heavy tumbler adds to the ceremony, but is totally optional!


Wine #2

Garciarevalo Verdejo Rueda Finca Tres Olmos 2021

The Region and Its Wine

Rueda is kind of the “Google” of Spanish white wine regions. If you want to search for something on the web, you “Google it” regardless of what search tool you’re using. In Spain today, if you want a glass of clean, fresh, nicely fruited white wine, you ask for “Rueda” and that’s what you’ll get – whether it’s from Rioja, La Mancha or even Rueda itself. And all that happened in only a few decades – because before then, “Rueda” meant something else entirely.

Rueda lies along the Duero River to the west of Ribera del Duero and east of the Toro wine region in the province of Castilla y Leon. The region’s very low annual rainfall, blend of scorching hot summers and bitter cold winters, and fast draining soils of small stones in powdery earth make farming here very difficult. A few cereal crops and grapes are pretty much all that will grow.

So grapes were pretty much everywhere in Rueda for centuries through the 1880s. The unique blend of iron and lime in the soils disadvantaged red grapes, so virtually all plantings in Rueda were to the white Verdejo grape. Verdejo came to Spain from North Africa sometime in the 11th century and thrived on conditions here. Rueda was distinguished from most other white wines in Spain by its exceptional clarity, achieved by “fining” – dusting the surface of the wine with the local clay, which attracted stray proteins in the wine before settling to the bottom of the barrel or tank.

It was also very much NOT what we think of as white wine today! Instead it was made like Sherry, placed in partially filled barrels and allowed to oxidize slowly under a layer of cellar mold called flor. Over time winemakers improved the process by adding a little grape brandy to the barrel, bringing the alcohol up to 15% or so to stabilize the wine and further slow browning.

Waves of phylloxera hit Rueda from 1890 to 1922, wiping out around two-thirds of all vines. When replanting began in the 1930s, commercially minded growers abandoned Verdejo for the higher-production Sherry grape Palomino Fino. Demand for Rueda didn’t recover, though, and by the 1950s almost all Rueda was sold in bulk.

Verdejo plantings were limited to vines that survived phylloxera, and the grape was on its way to extinction until local winegrower Ángel Rodríguez Vidal decided that a return to Verdejo was the region’s only hope of regaining its stature. Plantings slowly increased until the 1970s, when Rioja producer Marqués de Riscal arrived in Rueda to start a new white wine venture. They brought with them temperature-controlled stainless steel tanks, a vision of making what we’d recognize today as “real” white wine, and a strong preference for Verdejo over Palomino.

And it worked. By 1980 other Rioja families were arriving in Rueda and the quality potential of the region was clear. The Rueda DO was created in 1980 with the requirement that at least 50% of any wine called “Rueda” be Verdejo, and plantings recovered from miniscule to around 85% of all Rueda vines today.

Growers soon found that Sauvignon Blanc also worked in Rueda (in a more citric, lemon/lime, way), and today it’s around 10% of all plantings. A generic Rueda now must be at least 50% Verdejo or Sauvignon. A wine labeled “Rueda Verdejo” must be at least 85% Verdejo.

The Producer

The Arévalo and Garcia families have lived in the small Rueda town of Matapozuelos for several hundred years and, like most, made their living growing grapes and selling them to wineries around the region. The heart of their holdings were several small parcels of Verdejo vines planted between the 1870s and 1920s. The phylloxera louse doesn’t like sand, so these bush-trained vines planted on their own roots continued producing without fail for 100 to 150 years. In 1991, Jose Antonio Arévalo and Benicio Garcia decided it was time to stop selling this amazing fruit and founded Garciarevalo to make wine themselves.

Jose Antonio’s son Antonio was not supposed to be part of this project. His mother told him to “stay out of the fields” and was proud when he earned his degree in economics. Antonio doesn’t report her reaction when he and his wife, Manuela, came back home to Matapozuelos to take over management while his brother Rodrigo cared for the vineyards Young Reyes Martínez Sagarra makes the wines.

Together the younger generation has deepened Garciarevalo’s commitment to creating jobs and great wines in their little town. Today there are 10 employees at the winery who average 37 years of age and have worked together an average of 10 years. The future is bright indeed.

The Wine – Garciarevalo Verdejo Rueda Finca Tres Olmos 2021

The Tres Olmos vineyard was replanted in the late 1990s and sits next to Garciarevalo’s oldest (150 years) vines. Both sites share the same sandy soils and cool temperatures courtesy of the Adaja and Eresma Rivers that come together here. It’s 100% Verdejo picked ripe and fresh by hand, crushed and pressed without sulfur, and allowed to ferment with the winery’s native yeast in stainless steel tanks. After fermentation it rests on the fine lees for six months or so with occasional stirring to add more creaminess and texture. It delivers glorious finger lime, tangerine and salty stone flavors that hang on your palate endlessly with a creamy texture and excellent salty-stone minerality. Marvelous value at 13.0% alcohol.


Wine #3

Casal de Arman Ribeiro Blanco 2020

The Region and Its Wine

Between Galicia’s more famous Rias Baixas (home of Albariño) and Ribeira Sacra (Mencia for reds, Godello for whites) regions, Ribeiro is easy to miss. Vines and wines have been the primary source of work and income here since Roman times, and the DO was created in 1957, 30 years before Rias Baixas or Ribeira Sacra. But only in the past few decades has the secret started to spread.

The region is defined by how four rivers – the Barbatino, Avia, Arnoia and Miño – come together and create a network of steep canyons and fertile valley floors. Like Rias Baixas to the west, the Atlantic Ocean influences the climate, cooling what would otherwise be a warm region. But Ribeiro gets half as much rain as Rias Baixas (a still substantial 37 inches per year) and has much more summer sunshine, allowing it to generate more ripeness and expand its grape palate beyond Alberiño.

The Romans introduced the vine to Ribeiro and carved out the terraces that still line the valleys’ steep sides. After the Romans, Cistercian monks arrived and continued to support vine growing and winemaking for their own use and to serve pilgrims on the Camino del Santiago’s southern route. Throughout its history and through the 1800s, the wines were mainly made in the Roman style, with grapes picked and dried in the sun and then used to make a sweet, sharply acidic wine that aged and travelled well. By the 17th and 18th centuries, fortification was sometimes used to protect the wines further, and a small-scale export business to the British Isles emerged.

The arrival of odium and phylloxera in the 1800s largely wiped out the vineyards, and World Wars, the Great Depression, and Spain’s internal turmoil took care of what was left of the commercial wine production industry. In recognition of Ribeiro’s historical prominence, it was awarded Galicia’s first DO (official wine region) in 1957. But realizing that potential was still years away. Only in the past 25 years has the work of estates like Coto de Gomariz, Luis Anxo Rodríguez and others begun to garner attention in Spain and the rest of the world.

The grapes here are common to much of Galicia and you’ll find Albariño, Godello, Torrontes, Loureiro and Lado across the region and in many wines. But an import from Portugal’s Vinho Verde region, Treixadura, is the most important grape in Ribeiro and the key to quality. It gives wonderful aromas and flavors of citrus, white flowers, and fresh apple to wine, but can lose its acidity if it gets too ripe. In Vinho Verde it’s picked as early as possible, keeping the acids but losing some flavor. In Ribeiro, the cooler climate allows full flavor development while retaining its snappy, mouthwatering bite.

The Producer

The story starts in the late 19th century when D. Emilio Vazquez returned to his family farm in Ribeiro after spending his youth in Chile, declaring his intention to create a world-class winery. The timing could not have been worse. But he and his family persevered as grape growers before finally creating their own winery, Casal de Arman, in 1990.

What is now the Gonzalez-Vasquez family owns around 50 acres of vines around the region. Most average 35 years of age, but there’s a small core of 80-plus-year-old vines. Four brothers and two sisters jointly run the vineyards, winery, and a small hotel and restaurant. The winemaker is Felicísimo Pereira, one of the most respected Ribeiro talents and president of the entire Ribeira DO.

The winery is committed to keeping Treixadura front and center, with two of their whites mainly Treixadura and two monovarietal. Farming is sustainable with minimal sprays, fermentation with native yeasts, and all but one of their wines are made entirely in steel tank to avoid overt oak influences. As Wine Advocate said a while back, “they seem to be going from strength to strength.”

The Wine – Casal de Arman Ribeiro Blanco 2020

One of the most delicious Spanish whites we’ve tasted in years. This blends 90% Treixadura with splashes of Godello and Albariño from vines up to 80 years old to create a white both silky and full of outstanding drive. Pineapple, nectarine, pink grapefruit and green melon flavors pick up a salty tang on the flowing, spicy, very long finish. A wonderful seafood and beach wine. Refreshing at just 13.0% alcohol.


Wine #4

Celler Del Roure Valencia Vermell 2019

The Region and Its Wines

Although there have been plenty of vines along Spain’s eastern coast for more than 1,000 years, Valencia remains better known for oranges and paella than wine. And, to the extent Valencia wine has been visible in the market, it’s mainly for high-production, low cost, value bottlings of Monestrell, Tempranillo, Cabernet and Chardonnay made, sold, and consumed in bulk.

Clariano is the southernmost sub-region of Valencia and one that shows the most promise for fine wine. Near the sea and cooling breezes, it’s mainly a white wine region with scattered plantings of red grapes. Moving inland and up in altitude, the soils get more poor, the days hotter and, sometimes, the nights colder. Mainly red wines here and mostly either thin (from over-cropping) or over-ripe (from the intense summer heat and sun).

The Producer

And then there are the wines of Pablo Calatayud. In the late 1990s, Pablo and his father decided to see if they could make some good wine in what was a sea of surrounding mediocrity. Neither had any experience, but Pablo took over a corner of his family’s furniture factory, bought some grapes, and began to give winemaking a try.

By 2005 or so he had a “real” winery full of gleaming stainless steel tanks and French oak barrels and new and purchased vineyards turning out pretty good Tempranillo, Merlot and Cabernet Sauvignon. Regular 90+ point Wine Advocate reviews followed and prospects were bright.

As the early 2000s went on, Pablo became more and more interested in the old Valencia grape Mando. Not much is known about Mando other than it was widely planted before phylloxera and then supplanted by international varietals and Garnacha Tintorera after. By 2000 or so it was nearly extinct. Pablo found a little and began playing with it, enjoying the freshness and verve it gave otherwise heavier wines. He began making a wine he called Maduresa to feature Mando, sometimes solo and sometimes blended with his other grapes.

In 2006 he was looking for more Mando and purchased an old vineyard full of the stuff that came with a 300-year-old winery. When he looked in the winery, he saw several hundred clay amphora (most with matching stone lids) buried in the floor – a kind of pre-stainless steel tank system. Realizing this was the truly old way of making Valencia wine, he began to identify the amphora still usable and trying them out for wine.

He liked the results a lot, especially when Mando was combined with Garnacha Tintorera – the Spanish name for Alicante Bouschet. Alicante was created by Frenchman Henri Bouschet as a cross of Grenache Noir and Petit Bouchet (itself a cross of Aramon and Teinturier du Cher) in 1866. Unlike most grapes, it has red flesh and gives red juice, so it was perfect for adding guts and color to the pale, overcropped wines of Languedoc-Rousillon. And, eventually, it did the same for mass-produced wines of Valencia, where it turned out not only to be useful but also quite good! Something about the Spanish sun and soil lets Alicante moderate yields a bit and give wonderfully fleshy, but not heavy wine with a very attractive herbal lift. And, as Pablo discovered, making it perfect for pairing with Mando!

Today Pablo is gradually grafting over his Tempranillo and international varietal vines to Monestrell, Garnacha Tintorera, and as many native Valencia varietals as he can find. Winemaking more and more is in amphorae (only 20 or so of the 100-plus have been used to date) with minimal sulfur in the winery and certified organic farming in the vineyards.

The Wine – Celler Del Roure Valencia Vermell 2019

From southern Valencia, this 70/30 blend of Garnacha Tintorera and Mando bursts at the seams with juicy raspberry fruit and a lift of sweet berry leaf that coats your palate and finishes long and satisfying at 13.0% alcohol.

“An entry-level red from local varieties, the 2019 Vermell is a blend of 70% Garnacha Tintorera and 30% Mandó from vines planted in 1996. It fermented with part of full clusters in stainless steel with indigenous yeasts and matured in 2,600-liter clay tinajas (amphorae) for four months. The vinification is very light, closer to a rosé than a red. This is very primary, juicy like biting into a ripe bunch of grapes. The palate is still mineral and serious, with a dry, chalky finish, quite unusual at this price point. Straightforward and easy to drink.” Wine Advocate 91 points


Wine #5

Juanvi Rubielos De Mora 2020

The Region and Its Wines

As Spain has industrialized and integrated into the world economy over the past 100 years, people young and old have flocked to big cities (especially Madrid) in search of jobs, leaving small towns shrinking or even abandoned entirely. The province of Teruel in southern Aragon (already the second least populated province in Spain) is full of villages that have met this fate. But not all. “¡Teruel Existe!” (Teruel Exists!) is the slogan of the citizens movement here, a cry to be remembered despite the decline.

As in most of Spain, vines have been here for centuries, but southern Aragon has never been much in terms of commercial viticulture and winemaking, mainly because much of the region is remote and mountainous. The village of Rubielos de Mora, where this wine comes from, is in the heart of the Sierra de Gúdar-Javalambre mountains, with what could be plantable land at around 1,000 meters elevation surrounded by higher peaks still.

“Could be” is the key phrase there. Absent special circumstances (of which there are many!), vines in Europe begin to struggle to ripen at around 900 meters of elevation. At 1,000 meters altitude and not so far from the sea, no one in Valencia (or otherwise in Spain) believed grapes could really ripen here. And for much of the past 2,000 years, they were probably right. But what climate change takes away in some places it gives a little in others. So perhaps vines in these mountains can make interesting wine?

The Producer

In the Teruel village of Rubielos de Mora, Vicente Alcañiz decided to do something to draw attention to his home. In 2008, his friend and restaurant owner Jesús Romero had planted the first vines to grow in the area for generations. So Vicente decided to create a winery to make wine from those grapes, creating a part-time hobby for both men.

When they retired, Vicente’s son Juan Vicente “Juanvi” Alcañiz came home from a winemaking job Calatayud (where he was making high-production wines like Las Rocas and Evodia) and decided to turn the winery into a full-time business. This will be a much smaller-scale operation, but one he hopes will uncover the potential of the mountain vineyards of Teruel and, perhaps, spark some development that will bring others home.

Juanvi started with the vines his father’s friend had planted in Rubielos de Mora and found other, older plantings near the town and in Baguena – another 1.5 hours’ drive further into the remote mountains. Even with few vineyards planted, vines outnumber people here and most are the kind of bush-trained Garnacha that, once it takes hold, can easily produce good wine for a century-plus. All are organically farmed – because who has money for chemical sprays?

Juanvi decided from the beginning to only make single-vineyard or single-village wines. All of the winemaking is the same. Whole bunches are hand harvested and then destemmed without crushing. The whole berries go into tanks where they start to ferment whenever the local yeast gets around to doing the job. After fermenting dry, the wines go into concrete tanks or older French oak casks to go through malolactic fermentation and, after a short rest, into bottle for us to enjoy.

The Wine – Celler Del Roure Valencia Vermell 2019

A blend of 70% Garnacha and 30% Tempranillo all grown in the village of Rubielos de Mora at 900 to 1,000 meters from vines planted as recently as 2008 and as long ago as the 1930s. It’s delicious and enlivening with a juicy feel and gentle, tangy bite. Early season blackberry and raspberry fruit aromas and flavors gain complexity from a note of light-roasted coffee bean and then satisfy with growing ripe raspberry flavors on the flowing finish. You’ll feel the impact of sunny days in the ripe flavors and cool/cold mountain nights in the zippy, mouthwatering finish. Delicious solo and with all kinds of foods from lentil salads to grilled seafood and roasted beef or lamb.


Wine #6

Bernabeleva Camino de Navaherreros Tinto 2021

The Region and Its Wines

In legal wine terms, Sierra de Gredos doesn’t exist. The vineyards that spread across the Gredos mountains 60 miles west of Madrid fall into three different provinces. So you’ll see the wines labeled Mentrida (near Toledo), Vinos de Madrid or simply as Vino de la Tierra de Castilla y Leon. Not Gredos.

But as soon as any conversation about “New Wave Spanish Wine” starts, the wines from the old-vine Garnacha vineyards of the Gredos mountains are the first examples cited. And for good reason – they are great! And distinctive, too.

The Sierra de Gredos range rises up to 2,500 meters, so around 1,900 meters above the 600 meter elevation Madrid plain. Madrid and its suburbs are too darn hot for quality winegrowing, but vines at 800 to 1,100 meters in Gredos still get more than enough sunshine and heat to ripen but also cool enough nights to rest and lock in freshness. Complex soils of granitic sand and schist/quartz mixes drain freely and are essentially devoid of nutrients, making the vines work hard. And hardworking vines make for very well-developed wines!

Not surprisingly, vines have dotted the Gredos mountains for centuries and were important in Madrid through the late 1400s. Once Spain was unified, “better” wine from Rioja and the rest of Iberia began to flow into the capital, and Gredos wines went into decline. By the late 20th century, most commercial wineries in Gredos had failed. Few new plantings took place and many hundreds of acres of vines were ripped up either in response to EU vine-pull schemes or to clear land for summer vacation homes for the wealthy of Madrid. What fruit remained went to co-ops to be turned into wine for local consumption or (usually unsuccessful) sales on the national bulk market.

Part of the failure of Gredos wines to sell outside the region was production costs. The old, bush-trained vines of Gredos had to be worked by hand (versus the mechanization possible further south) and produced tiny crops (compared to Garnacha in more fertile regions to the east). Gredos wasn’t cost-competitive.

And the wine Gredos Garnacha gives didn’t fit the “Parker paradigm” that ruled Spanish wines from the 1980s to early 2000s. Instead of the dark, fleshy, super-fruity wines of regions like Calatyud, Gredos Garnacha is…different. Master of Wine and Oxford Companion to Wine editor Jancis Robinson captures it nicely: “Gredos wines taste very burgundian, less extracted, more ethereal and lighter than the majority of Spanish Garnachas. The alcohol perception might be high but the wines manage to retain some lightness, generating a unique and recognizable style.”

At the same time, no two Gredos wines are exactly the same because these old vines (and the non-interventionist winemaking so common here) allow the character of each vineyard to shine through beautifully. Some are dark, meaty and earthy. Others super fragrant and almost delicate. All, though, are deeply authentic. And really, really yummy.

The Producer

When we first encountered Gredos Garnacha a few years ago, we had a pretty common response: “Great Garnacha from Gredos? Who knew?”

The answer is apparently a Madrid doctor and politician named Vincente Alvarez-Villamil. Somehow – we don’t have any details – way back in 1923, he concluded that there was potential to make great wine in Gredos. And so he purchased a plot of land in San Martín de Valdeiglesias at the foot of the Gredos mountains to plant vines and create a winery. He named it Bernabeleva, or “bear’s forest” in a nod to the Celtic-era images of bears carved into stones found across the region.

Both the winery and other sources are a bit coy, but since he was an active Republican, it’s probable that his fortunes took a turn for the worse following Franco’s and the Nationalists’ victory in 1939. But we do know that his family retained ownership of the land and continued caring for the vines he planted even if they did not make wine.

Until 2006. That’s when Vincente’s great-grandchild Juan Diez Bulnes looked at the now 80-year-old vines and the neighbors’ similar plantings and thought, “We can do better than sell these to the co-op.” Having no experience in the wine business, he turned to the man who was already recognized as the most talented vigneron in Spain: Raul Perez. Perez helped tighten up the farming, design the winery, and – critically – hire the gifted young Catalan, Marc Isart Pinos. Although Pinos has moved on to other projects now, his vision of place-based wines from organically farmed grapes continues to shape production here.

The Wine – Bernabeleva Camino de Navaherreros Tinto 2021

This is Bernabeleva’s “village” wine, showcasing the fruit from 40- to 80-year-old vines across the estate. The soils here are distinctive for Gredos, a tawny sand of decomposed granite that has exceptionally high acidity and very low nutrient levels and water retention. The hand-harvested fruit is partially destemmed (about 40% whole cluster) and fermented in steel before aging in large, old, oak vats for around 9 months. At a lower (for Gredos) 600 meters elevation, this is one of the warmer slices of Gredos, giving a darker tone to the wild-berry fruit. Savory accents of cured tobacco, clove, and brown spices add interest to a wine that finishes with excellent intensity and grip.

Next: What’s the Old Wave of Spanish Wine?