Chablis Quality Like the “Big Boys”…

Lyne Marchive, Dom des MalandesI’ve always wondered how Chablis as fine as Dom des Malandes could always remain so…well, to be blunt: cheap! It’s not like the estate is new or unknown. Lyne and husband Jean-Bernard Marchive formed Malandes in 1986 with vines farmed by her father and grandfather making up the core of the estate.

The wines have earned critical praise from the outset, with Master of Wine and Burgundy expert Clive Coates awarding Malandes a two-star rating in his landmark book The Wines of Burgundy. To put that in context, that’s the very top rating for any Chablis estate, the same awarded to William Fevre, Vincent Dauvissat, and Domaine Raveneau. And yet wines from those three estates sell for at least three-times the prices of Malandes.

What’s more, the wines have gotten even better over the past decade under oenologist/winemaker Guenolé Breteaudeau. As the leading Burgundy critic working today, Allan Meadows (“Burghound”), said last year, the team at Chablis-based Domaine des Malandes “continue to drive the quality of the Malandes wines to new heights. Readers who are not familiar with the wines owe it to themselves to try a few bottles; moreover the prices are reasonable and thus the wines offer excellent price/quality ratios.”

But why are the prices so reasonable – even before we slash them further with our direct import savings?

… Priced With Modesty and Practicality
Malandes Chablis VineyardSpending an afternoon and evening with Lyne in Chablis last February helped me understand. Lyne’s family – the Tremblays well known in Chablis – have been living, farming and making wine here for a long time. They have always been practical business people – Lyne said her grandfather was one of the first growers in Chablis to stop selling to the co-op and bottle and sell all his own production starting in the early 1900s. Bottled wine was more of a risk, but turned a much better profit.

Entrepreneurial ambition has always been tempered by the realities of trying to make a living the cold, stony, soils of Chablis. Lyne explained that it was simply impossible for a small grower to make a living from grapes and wine in Chablis until the mid-1970s. Frost in the spring, vine-killing cold weather in winter, summer hail, and ill-timed rain near harvest conspired to wipe out nearly 100% of Chablis production in two to three years per decade. Lyne remembers the brutal stretch of 1952, ’52 and ’54 when her father had no grapes (and not much grain) for three consecutive years. In 1954 he was forced to leave home and pick grapes in Beaujolais to make enough money to feed the family.

By the mid-1970s growers in Chablis had learned frost and winter cold management techniques from their neighbors in Champagne (Chablis is closer to Champagne than Burgundy’s Beaune), opening the doors to the potential to making a living from wine. So Lyne took over from her father and, with husband Jean-Bernard Marchive, created Domaine des Malandes.

Lyne and Malandes Hail Nets

Lyne with Chablis’ First Ever Hail Nets

Innovation in Wine Growing … and Marketing
Even as she prepares to retire and hand over the estate to her son and youngest daughter, Lyne remains an innovator. Hail has been a problem in Chablis for years and seems to be intensifying with global climate change. Some of Lyne’s vines grow in what is basically a thunderstorm channel – a valley between two hills that captures storms and funnels their maximum impact right on the fragile vines.

After the disastrous 2016 storm season, Lyne decided she’d had enough. Although it took nine months of intensive studies, legal filings and lobbying, two months ago she received a permit to test Chablis first ever hail netting system. No other grower has been brave enough to step up to try it, so she’s rolling it out as a test with a mix of protected and unprotected rows. As she says, it’s very expensive – but then so is losing the entire harvest to hail.

“No one else was willing. So I decided I must go ahead by myself. I believe it’s what we must do to make good, good, good, Chablis.”

As Neal Martin of Wine Advocate said after a blind tasting of Lyne’s 2014 and 2015 Chablis last year, “I was very impressed by the consistency here. Proprietor Lyne Archive, with winemaker Guenolé Breteaudeau, crafted some really quite superb Premier Crus that shone out. It’s great to see this well-known name in Chablis doing so well – long may it continue.” We think it will.

The Extraordinary 2016 Chablis of Domaine des Malandes
Dom des MalandesAs Allan Meadows (“Burghound”), said last year, the team at Chablis-based Domaine des Malandes “continue to drive the quality of the Malandes wines to new heights. Readers who are not familiar with the wines owe it to themselves to try a few bottles; moreover the prices are reasonable and thus the wines offer excellent price/quality ratios.”

Once again, that’s true for Malandes’ 2016 releases, which are coming to us direct at simply unbeatable savings. The steep losses during the challenging growing season means we weren’t able to get any 2016 Grand Cru Les Clos, but we do have a tiny bit of 2015 available. The 2016 Villages cuvee is a fantastic “house white” for now and 3-4 years to come. And both 1er Crus are classic bottlings you won’t want to miss.

Below you’ll find our and critics’ notes on all four wines. Please note that Alan Meadows – aka Burghound – tasted the 2016s at a very awkward moment of their evolution, either right after pre-bottling sulfuring or, worse, right after bottling. The reduction he complains of has resolved and all of the wines are clearly even better than his reviews suggest. Happy hunting!

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Superb Quality from the Heart of Provence

Dom d'eole wineryDomaine d’Eole is a unique, if young estate created in 1992 by German oenologist Matthias Wimmer, purchased and transformed to certified organic farming by his partner, estate-owner and French financier Christian Raimont, and introduced into the United States by importer Olivier Daubresse.

The Domaine sits in the heart of the Provence, south of Avignon and northwest of Aix-en-Provence, at the base of the low Chaîne des Alpilles mountain range. The Alpilles block some of the Mistrial wind’s intensity – the fan is set to “medium” here rather than “high” – but still allow for some cool air from the Mediterranean Sea – just 25 miles south – to reach the vineyards.

What doesn’t reach the vineyards is a lot of rain, and what rain that does fall drains quickly through the complex, very ancient, limestone soils. The vines drive their roots deep for nutrients and water, and the alternating hot and cool, but always dry, climate is perfect for farming without chemical additives, pesticides, or sprays.

D'Eole Matthias Wimmer and Christian RaimontThe estate’s first, and only winemaker – German-born Matthias Wimmer – pointed towards organic farming from the estate’s founding in 1992 and achieved Ecocert Organic Certification in 1996. That same year, French financier Christian Raimont purchased d’Eole and enabled Matthias to invest in a state of the art winery and maintain his commitment to organics and ultra-low yields.

Seriously Small Crop Farming
About those yields. The Coteaux d’Aix en Provence appellation is most famous for its rosé wines and the farming rules here are built on the assumption that fresh, fruity, and pink is about all that’s required for success. So, vineyards in this rugged, non-irrigated, region can go all the way up to 60 hectoliters per hectare, a level that’s normally achieved by letting the vines groan under the weight of berries and not worrying about getting everything ripe – after all, you’re just making pink wine, right?

Dom d'eole bottlesAt Domaine d’Eole, things are a bit more serious. For red, white and rosé wines, the goal is perfect ripeness with plenty of intensity and structure. In the winter, vines are pruned severely, limiting the number of fruit-bearing buds that can form in the spring. Then, the “second crop” that forms in late spring is removed and the main crop adjusted by “green harvesting” – cutting off grape bunches – to ensure that each vine is balanced and prepared to deliver ripe grapes. Last, during harvest, trained harvesters inspect each grape bunch, leaving any that aren’t fully ripe and perfect condition on the ground to rot and, eventually, feed next year’s crop.

Across the d’Eole vineyards, then, the maximum yield Wimmer and Raimont allow to ripen and reach the winery is only 30 hectoliters per hectare – half of the legal crop. Smaller crop levels make farming more expensive – it actually takes more work to grow 30hl/ha than it does to let 60hl/ha hang! – but it pays off in better ripeness, silkier texture, and much, much, more flavor and complexity.

Dom d'eole roseWe’re showcasing the unique benefits of organic farming and ultra-low yields in today’s featured wine, the Domaine d’Eole Rosé 2017. But you have to taste the red and white wines to understand the full story. Join us this Saturday as estate owner Christian Raimont pours great selections from new releases and wines aged to perfection, too!

Authentic Chablis from Louis Michel

Louis Michel ChablisThe Michel family has been growing and making Chablis since the 1600s and created Domaine Louis Michel in 1850. Over the past 40 years, winemaker Jean-Loup Michel has elevated Louis Michel to the upper echelons of Chablis producers and now his nephew, Guillaume Gicqueau-Michel, is working with Jean-Loup to push quality higher still.

For more than 40 years, Louis Michel has been known for its elimination of any oak-influence on its top quality Chardonnay. As Jean-Loup explains:

“Chablis is not Meursault. We stopped using barrels for our wine-making almost forty years ago. In the past, barrels were the only containers that could be used to make wine, they were never used with the intention of imparting a woody taste: that’s why old barrels were used in preference to younger ones. Today, stainless steel tanks are perfectly suited to our wine-making: aside from their total neutrality, they allow the complexity and pureness of the aromas to come through, respecting the authentic taste of true Chablis, without any artificial wood. The only expression in our bottles comes from pure, clean and precise terroir.”

While anyone can make clean, crisp Chablis in stainless steel, only elite growers and winemakers can balance Chablis classically bright acidity with mouthfilling richness without the help of oak. Louis Michel’s secret?

Great Sites – Over the decades, Louis Michel has acquired prime vineyards in some of Chablis’ best terroirs. The estate’s 25 hectares of vineyard all lie in the heart of Chablis’ ancient vineyards. No fruit travels more than 2km to the winery and the Domaine’s three Grand Cru sites are mere meters away.

Meticulous, Organic Vineyard Work – Each vineyard is managed individually, with its own regime of pruning, leaf pulling, green harvest, cover crops, and tilling designed to maximize vine health and help express the site.

Late Harvest of Fully Ripe Fruit – With no oak to hide flaws, the Jean-Loup and Guillaume are willing to wait until each vineyard achieves optimal ripeness before beginning harvest. And, having risked crop loss to late season rain or rot, they harvest quickly, often bringing in the entire crop in only 4-5 days.

Natural Winemaking with Minimal Intervention – Guillaume’s first major impact on the winery was to return to all natural fermentations. Both alcoholic and malolactic fermentations proceed with native yeasts and move through the process at their own pace. After fermentation, the wines rest on their fine lees (8 months for Village, up to 12 for 1er and Grand Cru sites) to attain a rich, creamy, texture that balances the detailed acidity of Chablis.

The result are wines that Robert Parker said “appear of a precision and of a purity absolutely extraordinary,” but that, as critic Sara Marsh said, are also “refined, glossily mineral wines, not in the nervy, edgy Chablis genre. The wines are composed, poised and smooth.”

Guillaume of Louis MichelThe 2016 Louis Michel Chablis
“Composed, poised and smooth” is a pretty good description of Guillaume Gicqueau-Michel’s 2016s. The wines are excellent – there’s just not very much of any of them. As critic Steven Tanzer says, “The 2016 growing season was a violent one, with frost, rain, hail, mildew and even grillure (i.e., grapes burned by sun) conspiring to cut Chablis production by 50% or more at many estates.”

The grapes that survived were pretty lovely though. As Guillaume says, “The good news is that the wines are good; the bad news is that there’s no wine.” He describes the 2016s as “fleshy and balanced,” with each wine showing the character of its site nicely (save, perhaps, the deliciously exotic Vaillons). All of the wines were picked at 12.2-12.3% potential alcohol, with some getting lightly chapitalized (i.e., having a little sugar added) to extend fermentations and draw out texture and flavor.

As always, Tanzer’s ratings are conservative and I expect others will award higher ratings as they publish their reports. But rather than worry about points, come and try the wines this weekend. You will be glad you did!

Does Rosé Age? A Case Study with Vignelaure

outside roseWe often get asked, “Does rosé age?” And our answer: “no and yes!”

“No” because very, very, few pink wines are better at age four or five than they were on release. But “yes!” because almost all of the pink wine we buy gets better as it recovers from the shock of early spring bottling and shipment. I find that most good rosés peak somewhere between August and Thanksgiving and then hold nicely into the following year.

And if a pink wine has enough tannin and acid to protect it, it can keep right on improving for 24 months and is actually at its best in its second summer. The 93 point 2015 Vignelaure rosé is a perfect example.

Despite our eye-popping $9.98/ea by the case price (more on why that’s true later), this is not your typical, just-bottled and rushed to market rosé. But, then, Chateau Vignelaure is not your typical Provence wine estate.

A Top Site for Cabernet. Georges Brunet, owner of Third Growth Ch La Lagune in Bordeaux, discovered the Vignelaure site in the early 1960s. With soils perfectly suited to Cabernet and 1,300 feet of elevation moderating Provence’s intense sunshine, he planted the vineyard to Cabernet Sauvignon cuttings taken from La Lagune. By the mid-1970s, Vignelaure – meaning “the vineyard of the sacred spring” – had gained fame as one of Provence’s best, agreeable, and distinctive reds.

In his benchmark 1987 book on Rhone and Provence, Robert Parker called Vignelaure “one of the showpiece properties not only of Provence, but of France…Chateau Vignelaure specializes in red wine, capable of ageing 15-20 years, produced from a blend of two great wine grapes, Cabernet Sauvignon and Syrah. Vignelaure’s wines are elegant expressions of Provencal wine-making at its best.”

ch Vignelaure bottleAdding a Rosé. Starting in 1993, Vignelaure added top-flight rosé to the portfolio, too. They blend 40% Grenache and 30% Syrah – the region’s classic rosé grapes – with 30% of their stunning Cabernet Sauvignon to create a wine with authentic Provençal character plus one extra notch of richness, power, and ability to age. The Grenache, Syrah, and most of the Cabernet ferment and age in tank while a little of the Cabernet rests in barrel.

The result is a rosé that was good when it landed here last summer but has only gotten better in the past 10 months or so. There’s been no dimming of the aromas and flavors of red berries, tangerine and crushed herb. But the texture is even better, round and plush and mouthfilling but still light and fresh. Delicious right now, but no rush: save a bottle or two for Thanksgiving!

A Note about the Price. This rosé released last year at a $20 price (we offered it at $16.98 last year). Why so much less this year? It’s a combination of factors. Start with Vignelaure’s fairly late arrival last year (we didn’t get any until late July) so that the importer didn’t sell all they had by the end of rosé season. Then add in America’s obsession with drinking only the youngest, just-released pink wines from the most recent harvest. Put those together with a wine that’s actually better than it was last year and you get one heck of a deal!

Fine Wine, Fine Vintages in Beaujolais

chateau-thivin-domaine-mont-brouillyThere’s going to be quite an argument about which of the past three vintages is the “greatest ever” in Beaujolais.

Vintage 2014 delivered classic, vibrant, elegant wines that capture the essence of Gamay’s juicy joy. Harvest 2015 added much deeper, riper, fruit and more density than usual, but with no loss of energy or minerality. And the 2016 harvest – while seriously reduced by hail and frost – may turn out to marry the best characteristics of 2015 and 2014 combined.

What will broach no argument is that Chateau Thivin made utterly brilliant wines in all three years, continuing to cement their place among the very best in all of Beaujolais – arguably, among the best in Burgundy as a whole.

Ancient Volcano, Modern Winery
Ch Thivin la_famille_geoffray The estate founded in 1383 and purchased by the Geoffray family in 1877. The chateau (yes, there really is one), winery and the estate’s best vineyards perch on the sides of an extinct volcano called Mont Brouilly.

The volcano’s very steep slope – around 40 degrees in the heart of the vineyard – provides excellent drainage, fantastic exposure to the sun, and the platform for the Geoffray family’s modern gravity-flow winery.

When others in Beaujolais chased quick and easy cash in the Beaujolais Nouveau boom of the 1970s and 1980s, the Geoffray family just kept on making fine wine. Vineyards are plowed to create healthier soils, no insecticides are used, and grapes are harvested and sorted by hands.

Whole bunches of ripe, juicy Gamay grapes roll by gravity into tanks were fermentation starts naturally with no additions of yeast or enzymes or anything else. After a day, rosé tanks are pressed gently and finish fermentation in stainless steel. Reds soak for a week or so before pressing and racking into large, old, wood casks and bottling six months later. And for these wines, that’s it.

Ch Thivin was long well-known as one of Beaujolais’s great estates within France, but pretty much unheard of in the US until the 1970s. That’s when importer Kermit Lynch first visited the Domaine and made it one his earliest imports to the USA. And I think his description of Ch Thivin today is still the best summing up we can offer. Thivin’s wines, he says, are “a country squire who is not afraid to get his boots muddy. Handsome, virile, earthy, and an aristocrat.”

What Makes Chateauneuf Chateauneuf?

Lirac galet

Ten feel of pebbly path separate the Champauvin vineyard from Chateauneuf du Pape.

As you may know, the name and fame of the Rhone Valley wine region called Chateauneuf du Pape dates from the 1300s when the Papacy temporarily moved from Rome to the French city of Avignon. The Popes built a summer palace north of Avignon on the crest of a big hill overlooking the Rhone Valley. Locals called it “the Pope’s New Castle” – Chateauneuf du Pape. As the Church spurred growth in the Rhone’s vineyards to meet its ceremonial and social needs, the name came to be applied to the better vineyards surrounding the hill.

Once the Pope returned to Rome, the name dropped out of use and the wines came to be known simply as “vin d’Avignon” until the Chateauneuf name was resurrected in the mid-1800s. The wines gradually gained respect within France until phylloxera wiped out the vineyards in the late 1800s.

In the early 20th Century, growers in the area realized that they couldn’t compete with the rapidly developing Languedoc-Rousillon region in the south for pure bulk wine production. Seeking to improve quality, in the early 1930s they banded together to resurrect the brand of Chateauneuf du Pape and establish rules for what wines could or could not use that label. Their approach ultimately became the basis for all France’s designated wine regions – the Appelation Controlee system. The rules specified maximum yields, minimum alcoholic strength (12.5%), and determined which grapes were of acceptable quality (a hard debate settled on a list of 13 varieties).

Mapmaking Gone Wrong
And they drew a map specifying which lands were allowable for Chateauneuf du Pape and which would be left out (and ultimately be labeled Cotes du Rhone):

Cdp and Champauvins Map

To the south and west of the town of Chateauneuf, setting boundaries was easy. As the land sloped down towards the Rhone River, it eventually became too wet to support vineyards.

The eastern side was also easy, if not really based on vineyard character. The drafters simply followed the main road running from Avignon to Orange (now the A7 Autoroute) from the village of le Coulaire in the south and up to the end of the vineyards belonging to Chateau Beaucastel in the north. This sliced one of Beaucastel’s vineyards – called Coudoulet – in two, leaving half of the vineyard in and half out of Chateauneuf. Not entirely fair, but at least easy to explain.

What happened next is a bit of a mystery. The Jaume family farmed a collection of vineyards pretty much due west of Beaucastel and just under the Orange road. The vineyards have the same sub-soils and top-soils as Beaucastel, were covered by the rounded “galet” stones that are Chateauneuf’s hallmarks, and were planted to the same grapes. The logical thing to do would have been to simply continue to follow the road as it curved around to the west a little further and then allow the line to curve back down to the south to the river as the soils changed from red, iron rich gravel to more sand and limestone after the Jaume’s vineyards ended.

Instead, the drafters elected to abandon the Orange road just above Beaucastel and draw the boundary line down a narrow gravel path that ran right through the middle of the Jaume vineyards. The very fine vineyards planted in 1905 and still used for Grand Veneur Chateauneuf du Pape Les Origines plus another medium-sized vineyard became Chateauneuf. The 35 hectare Champauvins vineyard, identical in every way to the vineyards across the 10 foot wide path would be Cotes du Rhone.

Outstanding Wine the Best Revenge!
champauvin and galetIt’s hard to imagine how frustrated and upset the Jaume family must have been when they saw the new region’s map, and we know they protested and demanded explanations for years (but never got one). And, when you visit the Jaume’s at their modest winery just outside Chateauneuf, you get the sense that they still are not entirely over the injustice of making Champauvins somehow “less” than vineyards a few feet away.

Fortunately, under the leadership first of Alain Jaume and today of his sons, Sebastien and Christophe, the family’s Domaine Grand Veneur has decided that quality is its own revenge. They farm Champauvins like the Chateauneuf vines across the path, working mainly by hand (necessary with bush vines and gravel-covered soils) and using certified organic viticultural techniques. Yields are similar to their Chateauneuf vineyards, meaning the Grenache, Syrah and Mourvedre grapes achieve fantastic ripeness without any excess of sugar or roasted, pruny flavors.

In the modern winery, the winemaking for Champauvins is “old school” all the way. Fermentations proceed slowly with gentle pump-overs to extract classic Rhone flavor and structure without adding any harsh tannins. Grenache (70% of the blend) ages in concrete tanks to help it retain color and fruit. Syrah and Mourvedre mellow in old oak casks, given them the tiny bit of air they need to round out without imparting any oak flavor.

The result is a wine chock-full of big, deep, aromas of kirsch, black cherry, crushed herb, wild lavender, black olive and dark chocolate flow from the glass. Those same notes flow across your palate in a rich, vibrant, wine that coats your mouth with flavor and leaves ripe, fine-grained, tannins lingering behind. If they wanted to, the Jaume family could give this the same heft and density that makes “true” Chateauneuf so cellar-worthy (if hard to enjoy young), but because it’s “just” Cotes du Rhone and cannot command Chateauneuf prices, they craft it to be open, supple, savory, and delicious right now.

Dom Grand Veneur Les Champauvins Cotes du Rhone

What Makes Chateauneuf Chateauneuf?

Champauvin, covered with the famous galet,  sits across a 10-foot path from Cheateauneuf

Champauvins vineyard, covered with the famous galet, sits across a 10-foot path from Cheateauneuf

As you may know, the name and fame of the Rhone Valley wine region called Chateauneuf du Pape dates from the 1300s when the Papacy temporarily moved from Rome to the French city of Avignon. The Popes built a summer palace about 20 miles north of Avignon on the crest of a big hill overlooking the Rhone Valley. Locals called it “the Pope’s New Castle” – Chateauneuf du Pape. As the Church spurred growth in the Rhone’s vineyards to meet its ceremonial and social needs, the name came to be applied to the better vineyards surrounding the hill.

Once the Pope returned to Rome, the name dropped out of use and the wines came to be known simply as “vin d’Avignon” until the Chateauneuf name was resurrected in the mid-1800s. The wines gradually gained respect within France until phylloxera wiped out the vineyards in the late 1800s.

In the early 20th Century, growers in the area realized that they couldn’t compete with the rapidly developing Languedoc-Rousillon region in the south for pure bulk wine production. Seeking to improve quality, in the early 1930s they banded together to resurrect the brand of Chateauneuf du Pape and establish rules for what wines could or could not use that label. Their approach ultimately became the basis for all France’s designated wine regions – the Appelation Controlee system. The rules specified maximum yields, minimum alcoholic strength (12.5%), and determined which grapes were of acceptable quality (a hard debate settled on a list of 13 varieties).

Mapmaking Gone Wrong. And they drew a map specifying which lands were allowable for Chateauneuf du Pape and which would be left out (and ultimately be labeled Cotes du Rhone).

Cdp and Champauvins Map

To the south and west of the town of Chateauneuf, setting boundaries was easy. As the land sloped down towards the Rhone River, it eventually became too wet to support vineyards.

The eastern side was also easy, if not really based on vineyard character. The drafters simply followed the main road running from Avignon to Orange (now the A7 Autoroute) from the village of le Coulaire in the south and up to the end of the vineyards belonging to Chateau Beaucastel in the north. This sliced one of Beaucastel’s vineyards – called Coudoulet – in two, leaving half of the vineyard in and half out of Chateauneuf. Not entirely fair, but at least easy to explain.

What happened next is a bit of a mystery. The Jaume family farmed a collection of vineyards pretty much due west of Beaucastel and just under the Orange road. The vineyards have the same sub-soils and top-soils as Beaucastel, were covered by the rounded “galet” stones that are Chateauneuf’s hallmarks, and were planted to the same grapes. The logical thing to do would have been to simply continue to follow the road as it curved around to the west a little further and then allow the line to curve back down to the south to the river as the soils changed from red, iron rich gravel to more sand and limestone after the Jaume’s vineyards ended.

Instead, the drafters elected to abandon the Orange road just above Beaucastel and draw the boundary line down a narrow gravel path that ran right through the middle of the Jaume vineyards. The very fine vineyards planted in 1905 and still used for Grand Veneur Chateauneuf du Pape Les Origines plus another medium-sized vineyard became Chateauneuf. The 35 hectare Champauvins vineyard, identical in every way to the vineyards across the 10 foot wide path would be Cotes du Rhone.

Outstanding Wine the Best Revenge! It’s hard to imagine how frustrated and upset the Jaume family must have been when they saw the new region’s map, and we know they protested and demanded explanations for years (but never got one). And, when you visit the Jaume’s at their modest winery just outside Chateauneuf, you get the sense that they still are not entirely over the injustice of making Champauvins somehow “less” than vineyards a few feet away.

Fortunately, under the leadership first of Alain Jaume and today of his sons, Sebastien and Christophe, the family’s Domaine Grand Veneur has decided that quality is its own revenge. They farm Champauvins like the Chateauneuf vines across the path, working mainly by hand (necessary with bush vines and gravel-covered soils) and using certified organic viticultural techniques. Yields are similar to their Chateauneuf vineyards, meaning the Grenache, Syrah and Mourvedre grapes achieve fantastic ripeness without any excess of sugar or roasted, pruny flavors.

In the modern winery, the winemaking for Champauvins is “old school” all the way. Fermentations proceed slowly with gentle pump-overs to extract classic Rhone flavor and structure without adding any harsh tannins. Grenache (70% of the blend) ages in concrete tanks to help it retain color and fruit. Syrah and Mourvedre mellow in old oak casks, given them the tiny bit of air they need to round out without imparting any oak flavor.

The result is a wine chock-full of big, deep, aromas of kirsch, black cherry, crushed herb, wild lavender, and dark chocolate flow from the glass. Those same notes flow across your palate in a rich, vibrant, wine that coats your mouth with flavor and leaves ripe, fine-grained, tannins lingering behind. If they wanted to, the Jaume family could give this the same heft and density that makes “true” Chateauneuf so cellar-worthy (if hard to enjoy young), but because it’s “just” Cotes du Rhone and cannot command Chateauneuf prices, they craft it to be open, supple, savory, and delicious right now.